Wednesday, 28 December 2016

Concertina Books

Christmas has come and gone leaving plastic bags full of shiny paper and bits of tinsel. I have tinkered with the Complex Weaving draft, not finished yet. It is complicated and I have trouble getting my mind round it. No other textile work has been done.
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I am giving a short course on concertina books in ten days, doing three different styles. So I have practised, found previous examples and cut the paper to size for seven people. It looks okay although I wonder if two and a half hours is enough. Oh I will know the answer soon.

One example - a Turkish map fold opened out.
Tomorrow we go into London to see some exhibitions in the British Museum.

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I am weaver and - -. I dye my yarns with acid dyes, I paint my warps, put fabric collages and stencils on my weaving. I have three looms, a 12 inch wide, 12 shaft Meyer for demos and courses, a 30 inch Louet Kombo which is nominally portable but has a stand, two extra beams and a home-made device containing a fan reed. And last a 32 shaft Louet Megado which is computer controlled, has a sectional warp and a second warp beam and I am the proud owner of an AVL warping wheel which I love to bits and started by drilling holes in. I inserted a device for putting a cross in. I have just acquired an inkle loom and had a lesson from an expert so I can watch TV and weave at the same time. I am interested in weaving with silk mostly 60/2 although I do quite a bit with 90/2 silk. I also count myself as a bookbinder with a special interest in Coptic binding.