I cut the Hana Ori off the loom on Sunday and yesterday made all good in the way of ends. I used a strip of fusible lining down the selvedge to trap all the ends because there were too many ends to tie together neatly and I would not have done a neat job.
On the right are the samples for the motifs and on the left is the copy of my Okinawan version.
And here are the samples ready for posting to the States for the Japanese Textile Study Group. Now the problem remains of what to do with the remaining warp. The threading is a point twill on 32 shafts and I have been wondering if I could weave a version of four colour double weave as I did with the donsu. I am glad this is finished. It has not been fun. Very simple but let your mind wander for an instant and you are into unweaving.
Tomorrow I am off to London to a Complex Weavers Study Day on Thursday, then on to the Guild Retreat for the weekend. This time the weavers are working on their Black Jack projects which will be fun to investigate.
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- I am weaver and - -. I dye my yarns with acid dyes, I paint my warps, put fabric collages and stencils on my weaving. I have three looms, a 12 inch wide, 12 shaft Meyer for demos and courses, a 30 inch Louet Kombo which is nominally portable but has a stand, two extra beams and a home-made device containing a fan reed. And last a 32 shaft Louet Megado which is computer controlled, has a sectional warp and a second warp beam and I am the proud owner of an AVL warping wheel which I love to bits and started by drilling holes in. I inserted a device for putting a cross in. I have just acquired an inkle loom and had a lesson from an expert so I can watch TV and weave at the same time. I am interested in weaving with silk mostly 60/2 although I do quite a bit with 90/2 silk. I also count myself as a bookbinder with a special interest in Coptic binding.