I got home at 1630 and set to preparing for Sunday when I was running an acid dyeing class for Kennet Valley Guild. This involved making up new lots of dye solution. The class was very successful. I had a larger class than I like and so had asked one of the most expert if she would be an assistant and that worked beautifully. So thank you Marie FitzSimmons. Most people were dyeing fibre or yarns. But two or three were dyeing silk scarves.
These were very successful. My only part in it was showing them how to clamp the scarves. I managed to dye a couple of skeins myself but these are still in the car which is not yet unpacked.
I have a great feeling of freedom today. I have no more commitments until the end of January. The household needs some attention. Today I shall deal with paperwork which I have not touched for more than two weeks. I hope to get some weaving done on the Megado as well. It is time I got on with the sampling needed for the Convergence yardage submission. This is going to be fun. Even more so because I am going to put a bound book into the Society of Bookbinders challenge in 2014 and have come up with a design which uses some of the Convergence yardage!! It is a set book challenge (everyone binds the same book) and I suppose a lot of the other bound books will be in leather (see above for my thoughts on binding in leather). There is a website (Sweet Thames Website) where the problem of designs are being discussed. Well, what I do best is binding a book in fabric so I will do that. I may stencil on to the fabric. It is not needed until next April but I am far enough ahead with the design to see it in my mind's eye. I might even use some of the Japanese gold foil on paper yarn I have stored away. As you know it takes me two years to do a book from the moment of inception. Six months is definitely marginal.
Which reminds me that the College has had some of my books on display since July 2013 and does not want to give them back - the Inspectors are due in December and they want my books to stay on display. Which is all very well but I do get anxious. One is the Omar Khayyam I rebound in stencilled and painted fabric and I would like it back. I have another Omar Khayyam to rebind. My sister was left a 1920s version with etchings and paintings by Frank Brandwyn. I am furiously jealous but have agreed to rebind it. The textblock and covers are okay but someone/thing has eaten the spine cover.
It spent years in Malawi.